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Abstract:
姚华作为清末民初的重要书家,他的碑帖观念,对整个时期的书法风貌产生一定影响.姚华对《兰亭序》认识的转变,可以发现其碑帖观念的清晰脉络,先是尚碑抑帖,后来不排斥帖学,再到无所谓碑、帖之分,认为刻帖、墨迹,更应该作为取法临摹的对象.由姚华个案研究可以窥见清代末期书法审美的转向,即由清中期的尚碑之风慢慢走向清末民初时期的碑帖融合之路.
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艺术百家
ISSN: 1003-9104
Year: 2015
Issue: 1
Page: 197-200
Cited Count:
WoS CC Cited Count: 0
SCOPUS Cited Count:
ESI Highly Cited Papers on the List: 0 Unfold All
WanFang Cited Count:
Chinese Cited Count:
30 Days PV: 10
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